I waited a few days to respond. Here it is:
I don't know how, but stuff like this happens to me on an almost weekly basis. I hope you enjoyed it.
It's All Right Here
"...they're studying the Constitution and the Federalist Papers, they're reading history and case law, they're showing up at rallies and meetings, and a slew of conservative candidates are throwing their hats into the ring."
Let’s say we had a year-long debate in the run-up to the Iraq war. Let’s say at the end of that debate, 33 percent of Americans thought it was a good idea to invade Iraq, 46 percent thought it was a bad idea and the rest weren’t sure. Then let’s say that there were a bunch of elections in places like New Jersey and Virginia in the middle of this debate and George Bush’s party lost them all badly. Let’s say at the end of this debate there was a senate race in Wyoming in which a Democratic candidate made preventing the war a central plank in his campaign. Let’s say Bush went out to Wyoming and told voters they had to support the Republican to save the Iraq invasion. And let’s say the Democrat still went on to win that Wyoming Senate seat by more than 5 percentage points.
Would you have advised George Bush under these circumstances to go ahead and invade Iraq? [...] Or would you have said, George, I know you really want to invade Iraq. I know you think an invasion will do a lot of good for the world. But the American people are pretty clear about this issue. Maybe you should show a little doubt. Maybe you ought to listen and give this whole thing a second look.
Because when "Sweet Disposition" comes on my iPod when I'm running through the streets of downtown St. Louis as the sun sets, surrounded by tall buildings and the energy of the city before the nightlife, I feel like I can do anything. I like that feeling. Because during the summer when my friends and I are having drinks on the roof and a slight breeze blows through as we look over the Mississippi and city lights and this song comes up on the playlist, I feel like everything is perfect. I like that feeling too.
Remember the feeling of an excellent relationship? No? Let me remind you. You smile every time she walks in the room, she constantly takes up every last corner of your thoughts, and you swear you've never been so happy in your life. "She's Got You High" will get you as close to that place as you can get without actually being there. Unfortunately, this British indie rock group is no longer making music. That reminds me of the shittiness of a break up. Boo.
Because if you can listen to them without at least tapping your foot, you may no be human. Check out "Don't Stop."
Because any band that can record a record in a vacant rubber factory in Akron, Ohio has to be good. It helps that Dan Auerbach is a God damn genius. Soulful rock just doesn't get the recognition that it should. If you close your eyes as you listen to them, you'd swear you're in New Orleans or Tennessee.
Because there's something cool about the simplicity of their songs. There's also something to be learned from a band that's been around as long as they have. For instance, they're right about pretty girls. They do make graves.
Because there is no such thing as too much awesome rock. Radio Moscow is proof that ridiculous solo guitar riffs still do exist. See also The Black Keys.
Because collaborations are all the rage and some nights are made for staying in, sipping on a Hendrick's and tonic (with a slice of cucumber in it, thanks Julia) and relaxing. I did that once.
Because an indie superband is a beautiful thing and The High Road is as close to perfect as a song can get.
Because I am in love with Zooey Deschanel. Period. This is where I put in my shameless plug for (500) Days of Summer.
Because no matter how many times they play Sex On Fire, I will sing along. Their other records are good, too. Yes, they do have other records. No, you probably won't like them. Excellent live show.
Without a doubt, the best live show I have ever seen. Brand New at the Beaumont in Kansas City in November of 2007 showed me God for 12 songs. Pure talent. Pure awesome talent. Play Crack the Sky is the most beautiful song I think I've ever heard. Not to mention the rest of their songs that will violently rock your face off and then back on again.
I dare you to listen to "Take Me Home" and not rock out. After that, listen to the acoustic version and try not to be equally as impressed.
Because they single handedly disprove the "Those who 'can,' start a band. Those who 'can't,' start a cover band" theory. It's the cover band side project of Supergrass. I like their rendition of "Damaged Goods" and "Love is the Drug" better than the originals.
Because "Suicides & Lullabies" and "Come To You" changed my life. Because these guys play Sidebar every Thursday as Optimus Prime and the Masters of the Universe. Because they're from Saint Louis. Because they're better than Story of the Year. Because they're really fucking good.
Because of the finger snapping. The finger snapping.
Because when The Early November broke up, Ace Enders wasn't done writing the brilliant music of a heartbroken genius. The first track on his record will hook you.
Because "Eyes" is a fantastic night time driving song. The next time I drive home to Omaha after work, I will listen to this song when the sun goes down. You've heard this song, but you'll never be able to remember where you heard it. I know I can't.
Because there are two things that can solve every problem you will ever face. One, wisdom from your father. Two, a glass of whiskey and a Warren Zevon song.
This band will forever remind me of the first summer in St. Louis. I spent summer weekends in my apartment, at the pool, walking down Washington Avenue, hanging out at Sidebar, or drinking on a patio some where. Always with great people. We started every night with "Panic Switch" and a drink. I have yet to come across a Silversun Pickups song that I don't like.
Duh.
Because in college, Craig, Meis and I would drunkenly sing songs by these bands at the top of our lungs in the basement of our house on Southwood Drive in Columbia. Songs that are connected to memories like that never get old. Also, lyrics as bold as "the truth is you could slit my throat and with my one last gasping breath I'd apologize for bleeding on your shirt" don't come around very often. There's nothing wrong with revisiting teenage angst every once in a while.
Because nothing beats sitting in a coffee place listening to good folk and people watching on a Sunday morning. Not that I've ever done that, it just sounds like it would be a really cool, hipster thing to do.
Because sometimes (very rarely) you just have to blast your ears with so much bass that they start bleeding. Anyone that can remix Imogen Heap's "Hide and Seek" and make it awesome gets props.
Because any song that Mark Oliver Everette writes is a staggering work of heartbreaking genius.
Because I want to hold Emily Haines' hand.
Because when you're deathly hungover in Vegas, this is the only band you will want to listen to. They make all your problems melt away.
Because "Red Light" is the only country song that I have ever downloaded.
James Mercer put it best: "When I heard Jay Reatard before he died. I thought there could be a new wave of American punk. It's still possible. Unfortunately, he won't be leading the charge." He died from a cocaine overdose in January. Alcohol was a contributing factor.